| WALCHA SCULPTURES A FRESH AIR GALLERY
REGIONAL ARTS MAGAZINE ART REACH 2001
In the New England tablelands of northern NSW,
large scale contemporary sculpture is taking art to the people.
A total collection of 23 sculptural pieces placed
around the streets and parklands of Walcha is creating a name for
this small town. The collection titled The Fresh Air Gallery, was
initiated with visionary support from Walcha Council in 1996 when
it accepted local artist Stephen King's proposal to install a fountain
sculpture "Weather Signs" into McHatton Park depicting
the weather stories that weave their familiarity between the uncertainty
of markets and the weather in a rural community.
The Walcha Arts Council then put together a Public
Art Plan 2001 which was adopted by Walcha Council for inclusion
in their plan of management in 1998. The Third City of the Arts
Program, based in Armidale but including Walcha and Uralla (June
1999 - June 2001) has also provided valuable support for sculpture
in Walcha.
One of the pinnacles of the collection sitting in
the middle of Walcha's central roundabout is the massive work Song
Cycle by James Rogers, a celebration of the cyclical nature of provincial
life.
Walcha's Street Furniture Project is the most recently
finished stage of the Public Art Plan resulting in eight separate original
hard wood pieces. The project has been supported by Walcha
Council, The Third City of the Arts (NSW Ministry for the Arts and
Armidale Dumaresq Council), Walcha Arts Council, NSW State Forestry,
Fennings Timber and National Parks and Wildlife. Four artists, Stephen
Killick and Mandy Francis from NSW and Mike Nicholls and David Waters
from Victoria were selected to participate in a ten day workshop
working with local tradesmen and artists to create sculpted furniture
for the Walcha community to provide not only a utilitarian function
but also a means to interact and play with sculpture.
At present, Walcha's Fresh Air Gallery include sculptures
by local, regional, interstate and overseas artists James
Rogers, Stephen King, Ross Laurie, Nigel White, Stephen Killick,
Mandy Francis, Mike Nicholls, David Waters, Tom Deko (PNG) and Emmanuel
Watt (Vanuatu). Three other projects are in the pipeline including
a mosaic mural by the students of Walcha Central School and a major
piece by Aboriginal Artist Gordon Hookey which will be installed
mid this year.
"Large scale contemporary sculpture is exceedingly
rare in regional Australia. These works of public art not only beautify
where we live, they increase community ownership of our public spaces,
are powerful statements by accomplished local artists and add to
quality of life."
Rob Callaghan, GM of Walcha Council
"The street furniture project was a rare opportunity
for artists to work in a team environment. It took a great effort
from coordinators, artists and ingenious local tradesmen, who laughed,
worked hard, ate together and fed off each other's knowledge and
ideas. We created an eccentric array of train chairs, woolshed relaxing
seats, lovers chairs and a wrap around town viewing chair."
Mandy Francis, Artist, Hardy's Bay, NSW
"The Walcha Street Furniture Project gave me
the opportunity to work on a site-specific sculptural installation.
The idea behind "The Big Picture" was to frame the perspectives
of both sides of the river. The elevation of the levy bank provided
the opportunity to complete the picture by installing two large
choir backs to create an artificial landscape juxtaposed by the
framing of the natural perspective of the horizon and fore and background
hills."
Mike Nicholls, Artist, Williamstown, VIC
"The train provides a monolithic shape that
lends itself to high and low relief carving. As an image it automatically
suggests power and motion but also something that requires fuel.
I was especially happy to be able to leave the original idea for
the bench to incorporate the cast iron wheels from the local mill
scrapyard."
David Waters, Artist, Fitzroy, VIC
"Public Art develops an understanding of how
artists seek to express their view of the world through the act
of creation. The interaction becomes both a spoken and unspoken
dialogue between artists and their community and inspires an awareness
and tolerance of different points of view resulting in an increased
confidence to question convention and to participate in artistic
dialogue."
Julia Griffin, Artist, Acting Secretary, Walcha
Arts Council |